THE LONDON SOUND SURVEY BLOG | COMMENTS
Occasional posts on subjects like field recording, London sounds past and present, other websites worth looking at, articles in the press, and news of sound-related events.
Occasional posts on subjects like field recording, London sounds past and present, other websites worth looking at, articles in the press, and news of sound-related events.
Posted by IMR on 16 May 2010
MOST MAKERS AND marketers of binaural microphones are cottage industries who adapt mic capsules made by other, much larger firms. So it’s interesting to see Roland getting in on the act with their own binaural model, the CS-10EM. It’s available in Britain starting this month, costing around £80.

As you can see they’re nicely finished and could easily pass for earphones. In fact, they have earphones integrated into the design, so you can monitor what you’re recording while your ears are otherwise bunged up. Rubber O-rings lodge the CS-10EMs in the ear canal, and also effect isolation to help prevent feedback. But, according to the manual, feedback may occur ‘if you turn on a recording monitoring function and raise the recording level or headphone volume [or] if you cover the unit with the palm of your hand.’ No doubt users will quickly become highly motivated to avoid such mistakes.
Foam windshields aren’t included in the package, and the manual claims that the mics are designed to minimise wind noise, before conceding cautiously that ‘wind noise might be heard in conditions of strong wind’. Open circuit sensitivity is -40dB 1V/Pa or 10mV/Pa. The signal-to-noise ratio is stated as ‘greater than 60dB’, meaning self-noise should be below 34dB, but probably not by much.
The mic specs are nothing out of the ordinary for the price. The plus points are a smart and discreet appearance, easy ordering for UK-based customers (for example, from Sounds Live), and built-in earphones for you to monitor what’s going on and gloat or fret over your recordings on the way home.
I would be very interested in hearing of any people’s experience with these one they are more established in the marketplace.
I love my SP-TFB-2’s, but having to shell out for p&p from the US was a kick in the teeth.
Posted by Ollie Hall on 18 May 2010
Hello Ollie, I’ll send an email to Roland and see if I can borrow a pair for review purposes.
Posted by IMR on 20 May 2010
What a fantastic idea!
Posted by Ollie on 20 May 2010
Brief update on the Roland situation. A Roland rep phoned today and said they can’t lend out the mics, as they go in people’s ears, but offered to sell me a pair at a big discount, so will go down that route.
Posted by IMR on 03 June 2010
Well, at least that’s something eh?!
Posted by Ollie Hall on 03 June 2010
1st thing I’d do with those is remove the electret and put my own in there
-Mike.
Posted by Mike on 07 July 2010
Ive found the the CS-10EM’s are pretty quiet - the noise tone/hiss is not very intrusive to the recording.
Here’s a demo recorded with the Sony D50:-
http://soundcloud.com/urlme/cs10em-binaural-fireplace
Posted by Mike on 13 March 2011