THE LONDON SOUND SURVEY BLOG | COMMENTS
Occasional posts on subjects like field recording, London sounds past and present, other websites worth looking at, articles in the press, and news of sound-related events.
Occasional posts on subjects like field recording, London sounds past and present, other websites worth looking at, articles in the press, and news of sound-related events.
Posted by IMR on 30 July 2010
BAD NEWS FOR foley artists in this New Scientist article on advances in computer synthesis of real-world sounds.
For a few years now, even mid-priced animation packages have come bundled with physics modules to simulate collisions, fluid dynamics, wobbling jelly-like objects and rag-doll kinematics. But, according to the article, the sounds that would result from them can now be rendered as well:
Here’s an accompaying video:
It’s hard to imagine a whole street full of sounds being conjured up by software alone. Then again, compare the state of computer animation in a 1992 film like The Lawnmower Man with the CGI sequences routinely churned out today. (Thanks to Nick Hamilton of Lost Steps for the heads-up.)
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