A new series of sound graphics featuring field recordings from anonymised London districts, with the only clues being the distances between recording points given as walking times and the sounds themselves. Do you know London well enough to guess where these places might be? Go there »
Hear the city's busy thoroughfares and quieter corners through the ears (and Jecklin disc stereo array) of musician and recordist Andre Louis. His thoughts on why he records are rendered in braille to form the basis for a new London sound graphic. Go there »
A hundred recordings of birdsong and city ambience captured by wide-awake wildlife recordist Richard Beard in a back garden in Hackney, north-east London. Part of a series made each morning around 6.30am between March 2012 and March 2013. Go there »
London's geography and demographics explored by using statistics to sort 2011 Census data into clusters. 12 archetypal council wards are then selected to record sound profiles which, touch wood, can be generalised across much of the city. The first part of the new Projects section. Go there »
The sounds of London events and street life from the 1920s to the 1950s in old BBC radio broadcasts, digitised for the first time from their original 78 rpm transcription discs. Now with a new, layered sound map. Reproduced by kind permission of BBC Worldwide. Go there »
Recordings collected along London's canals, lesser rivers and streams and made into a pastiche of the London Underground map. Man-made noise, the calls of wildlife and the restless voice of water passing through culverts, weirs and channels.
Go there »
High-quality urban wildlife recordings made by Stoke Newington- based recordist Richard Beard. This addition to the original London wildlife section features birdsong and the calls of some other animals from Abney Park, Walthamstow Marshes and elsewhere. Go there »
Stereo recordings of ambient sounds all across London, including a grid series of recordings made at regular points on the map. From woodland and suburban streets to steam museums and night-time West End crowds. Go there »
Recordings made along the Kent and Essex shores of the Thames estuary, as well as further inland, capturing the sounds of industry, wildlife, marshland, and towns from Dartford to Sheerness. Go there »
Stereo recordings of sounds designed and made to have an impact on other people, and also of events where there's a main focus of attention. Includes traders' cries in London markets, voices of officialdom, hustlers, buskers, pub singalongs, carnivals and parades. Go there »
London history explored through its past sounds in works by Pepys, Dickens, Charlotte Bronte, Orwell and others. Accounts include how loud the London Bridge cataracts were and the sales-patter of quack doctors. Also, search for time-obliterated places with historical London maps in high resolution. Go there »
As the night wore on, taunts and defiances were bandied from window to door, and from door to window, between those who intended to begin fighting to-morrow; and shouts from divers corners gave notice of isolated scuffles. Once a succession of piercing screams seemed to betoken that Sally Green had begun. There was a note in the screams of Sally Green’s opposites which the Jago had learned to recognise. Sally Green, though of the weaker faction, was the female champion of the Old Jago: an eminence won and kept by fighting tactics peculiar to herself. For it was her way, reserving teeth and nails, to wrestle closely with her antagonist, throw her by a dexterous twist on her face, and fall on her, instantly seizing the victim’s nape in her teeth, gnawing and worrying. The sufferer’s screams were audible afar, and beyond their invariable eccentricity of quality—a quality a vaguely suggestive of dire surprise—they had mechanical persistence, a pump-like regularity, that distinguished them, in the accustomed ear, from other screams.
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